The House on Trubnaya (1928)
Overview
Life is short and full of oppression, but that doesn't mean Parasha can't find love and laughter when she leaves her country home to take a job as a maid in the overcrowded, overworked, and underpaid world in the big city.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | ru |
| Popularity | 2.427 |
Directed By
Boris Barnet
Crew
Boris Barnet
Nikolay Erdman
Bella Zorich
Viktor Shklovskiy
Vadim Shershenevich
Anatoli Marienhof
Sergei Kozlovsky
Yevgeni Alekseyev
TOP CAST
Vera Maretskaya
Parasha Pitunova
Anel Sudakevich
Marisha
Ada Vojtsik
Fenya
Vladimir Fogel
Mr. Golikov
Yelena Tyapkina
Mrs. Golikov
Vladimir Batalov
Semyon Byvalov
Sergei Komarov
Lyadov
Alexandr Gromov
Uncle Fedya
Vladimir Uralskiy
head of the club
Boris Barnet
passerby (uncredited)
Pyotr Baksheyev
drunk artist
Similar Movies
The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks
An ignorant and prejudiced American’s visit of Soviet Russia goes off the rails after his luggage is stolen and he is separated from his bodyguard.
Comrade Chkalov Crosses the North Pole
A satiric comedy which dissects the iconography of the 'Soviet Hero'. Original footage of a propaganda film from 1941 is the starting point for this parody of the ideological cliches of Soviet cinema. It follows the story of a Russian crew across the North Pole.
Women of Today
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.
October (Ten Days that Shook the World)
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Battleship Potemkin
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
Man with a Movie Camera
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
The Vow
The story of Stalin and the Soviet people.
The End of St. Petersburg
Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.
Kino Eye
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.
The Devil's Wheel
Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.
The Club of the Big Deed
The film tells about the Decembrists’ revolt in the south of Russia. Right before the Decembrist Revolt 1825 a chevalier of fortune decides that it's time for a game. But on whom to make a bet? He asks the cards. But he's not the only one who makes the choice.
Inspector General
The performance of the Moscow Theater of Satire, based on the play by N.V. Gogol.
Bound
When a single mum from Leith and a middle-class Scottish geek wake up handcuffed together, the differences in their lifestyles are put to one side as they attempt to break free in this farcical dark comedy.
Con chi viaggi
Four strangers meet through an app to share a car ride that turns into an adventure destined to change the lives of those involved.
Randu
Randu is a socio-political satire that hilariously portrays how the quite normal life of a village youth namely Vava is disturbed by the acts of some communal groups in the village. The current social atmosphere and political events add to his challenges. Can he make things straight through his wit and innocence?
Crush Kong Curly
When curly camgirl Elle meets an architect, Peter, she believes she's ready to love again. How long can she keep her job secret from him?
Soft Cushions
Douglas MacLean stars as The Young Thief, who falls in love with The Girl, played by Sue Carol. Alas, the Girl has been sold into the harem of The Wazir (Albert Prisco), forcing the Thief to sneak into the palace to rescue her.
PAW Patrol: The Mighty Movie
A magical meteor crash lands in Adventure City and gives the PAW Patrol pups superpowers, transforming them into The Mighty Pups.